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CONTEMPORARY COMEDIC MONOLOGUES FOR WOMEN HOW TO
CONTEMPORARY COMEDIC MONOLOGUES FOR WOMEN PROFESSIONAL

Try Googling “overdone monologues” to see what to avoid.

Avoid overdone monologues (they often lead to predictable acting choices) unless you are able to make it uniquely your own.

Avoid dialects, excessive prop use, cartoon or two-dimensional characters and exaggerated characterizations.

Your engagement and interest will make your performance stronger.

Choose a monologue that you care about.

Know who you are talking to and what you want from them.

Choose a monologue with a character that is close to your age and that you think you could be cast as.

Instead, choose a monologue from a play that provides context and character motivation.

Do not select a stand-alone monologue.

Film and television monologues are discouraged.

Choose a monologue from a published play.

Second monologue: Perform a dramatic monologue from any contemporary play.

First monologue: Perform a comedic monologue from any contemporary play.

Introduction: State your name, where you’re from and a fun fact about yourself.

Before each monologue, please speak the title of your piece and the author. Upload your three audition videos to your Application Status Page.

CONTEMPORARY COMEDIC MONOLOGUES FOR WOMEN PROFESSIONAL

It doesn’t need to be a professional headshot. Upload a photograph of yourself in your Application Status Page. How will studying theatre at Chapman University prepare you for a life in theatre?.How do you envision yourself contributing to theatre and to society as a student and artist?.Submit a goal statement that answers these questions: The requirements for the Creative Supplement are different for each major: If you have questions, you can email us at or check our Creative Supplement FAQs page. Upload your Creative Supplement materials to your Application Status Page, which you will gain access to once you have submitted your Common Application (step 1). Your Creative Supplement is where you will showcase your creative skills and talents. BFA programs require 78 and at least three years at Chapman, so they take much longer to complete. Within 48 hours of submitting your Common Application, you will gain access to your Application Status Page, which is where you will complete step 2.įor transfer students: We encourage you to apply to a BA program (Theatre Studies, Theatre Technology) and not a BFA program (Theatre Performance, Screen Acting). Try to submit your Common Application as soon as possible so that you have time for step 2. You won't be able to move on to the next step until you have submitted your Common Application. Industry Alliances and Commercializationįollow these steps to apply to Department of Theatre programs at Chapman University.įor application deadlines, see our Admission pages:įollow the Chapman application process to submit your Common Application.California’s Gold Exhibit and Huell Howser Archives.Faculty Absent-from-Teaching Notification Form.Temianka Endowed Scholarship for String Studies.We encourage performers of all gender identities to explore and choose any monologue that they connect with as an individual, and not feel constrained by who it was originally written to be performed by. The use of the word 'Women' in the title of this monologue collection refers to the characters as originally written, and is not intended to suggest any restriction in terms of usage. 'Sound practical advice for anyone attending an audition… a source of inspiration for teachers and students alike' Teaching Drama Magazine on The Good Audition Guides The result is the most comprehensive and useful contemporary monologue book now available.

CONTEMPORARY COMEDIC MONOLOGUES FOR WOMEN HOW TO

Playwrights featured in Contemporary Monologues for Women include Mike Bartlett, Alexi Kaye Campbell, Caryl Churchill, Helen Edmundson, debbie tucker green, Ella Hickson, Lucy Kirkwood, Rona Munro, Joanna Murray-Smith and Enda Walsh, and the plays themselves were premiered at the very best theatres across the UK including the National Theatre, the Royal Shakespeare Company, the Bush, Soho and Hampstead Theatres, Manchester Royal Exchange, the Traverse in Edinburgh, the Abbey in Dublin, and many on the stages of the Royal Court.ĭrawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James prefaces each speech with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the character’s objectives and keywords).Ĭontemporary Monologues for Women also features an introduction on the whole process of selecting and preparing your speech, and approaching the audition itself. In this volume of the Good Audition Guides, you'll find fifty fantastic speeches for women, all written since the year 2000, by some of our most exciting dramatic voices. Helping you select and perform the audition piece that is best suited to your performing skills